Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
更加卡通，也更加保守，一种爱情观打赢另一种爱情观，或者说《天生杀人狂》式的“浪漫”和叛逆就此成为了过去，看似危险狂暴的主角实则背负着相当正确的情感理念，曾经的美国电影中的“坏孩子”们，正在被“扭转”为仅剩表面故作姿态的“三好学生”，话说回来，这部短小的电影究竟又有多少认真，也许只有那个预料之中的彩蛋，更进一步，可能仅是为了这段彩蛋而制作了整部电影。
如果还要拍第三集，那只有四个字概括——世界疯了。
没有各种动画大IP的商业运作，没有迪士尼皮克斯那样的大制作，简单的亲情、武侠、仁义忠孝礼……就已经是如今动画电影市场的一股清流。
一个IP，一堆拼凑起来的斗嘴画面就能组成一部电影，真的是离大谱，要看斗嘴的话，相声不是比这更精彩？
神机堂那一部分的故事也是相当精彩的，不错不错。
里面插曲还可以
有笑有泪 很适合一家人一起观看 中国风非常美 制作精湛 是非常有诚意的作品！！
这部片可能是春节档里最大的遗珠，排片也太过于低调了。“镖局”“国画”“武侠”“虎年和素”组成的冒险故事，满满的江湖风，有笑有泪又促燃， boss 有反转，细节和包袱促足。第一次发现“神奇拖后腿”’是个好词，回想就觉得好笑。促值得亲子观者！
挺烂的，里面都是扯淡的片段和镜头，打发时间看看也行，比雄狮少年差很多。雄狮少年真的好看，国产标杆。
电影院排片不多，我看的这场上座率很高，都是不想看喜洋洋和熊出没的带娃家庭。80分的贺岁动画，很高兴全程没什么说教
四季更迭而你徒行万里，
也许对电影的预期并不高，看完感觉还不错。虽然是子供向动画，但是配音和动作场面还是很棒的。
这，，成年人不建议观看，不是说有什么，就是动画片
虽然情节略显粗糙，但是足够欢乐，过节全家带娃一起看绰绰有余了
热血，励志，温馨，剧情比较简单，确实是一部老少皆宜的好片
去年给电影做过前期宣传，导演说这部电影的最大亮点是原创故事，不做中国神话传说确实不容易得到大众的关注和认可，给加一星支持一下吧。
合家欢电影！春节必刷！故事结构简单，立意明确正能量；叙事有笑有泪，老人小孩都很开心。虎墩和我家曼基康喵子太像了，腿短敦实跑得快哈哈哈哈，看了很亲切。从豆福传到虎墩，很欣喜看到国产动画越来越强，希望以后能继续出好作品！五星支持！
小虎墩的冒险故事真的是既惊险又欢乐呀，真的是太好看了呀，很适合带小朋友去看！！！
宣发基本没怎么看到，人们会看这部，要么是因为片名有虎，要么就是想看看除了羊熊之外的动画！总之在我看来，这部全片人物都是包子脸的动画完成度高，人物刻画细腻，对白不低幼，老少咸宜，都能看！而且看完了竟然有点小期待，希望出续集！
虎墩好可爱，有笑有泪，护镖不是为了镖而死，是为了镖而活
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