The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
挺好看的，很有东北特色，未来的国产动作片就看谢苗了
动作戏场面真的好，现在正是当打之年，谢苗也该好好拍一些电影了。
with mary
没有花里胡哨，没有阴谋诡计，就是拳拳到肉的打戏，节奏紧张。虽然剧情略显单薄，甚至最后没有反转让人有点意外，但我不禁也在想，是不是花里胡哨的反转看多了，看这种电影反而觉得难能可贵和亲切一些。有点像见惯了花枝乱颤的妖艳贱货电影，突然看到一个阳光健康的🤣
也不知道为什么这么低的分子，明明算是很不错的网大了
6.0 一般，但尤胜在打戏很精彩，李红旗这个人设挺讨喜的，反派气质有点立不住。
但鉴于这个片没有一流的东西（可能也没有二流），还是给一颗星。
我就冲那四星哥哥的那句出乎意料之外，这戏我就没必要往下看了
名义上是找的武打明星谢苗，想拍个警匪功夫片。可是你们拍出来是个啥啊，看的眼睛都要晃瞎了。
谢苗演的大戏都很有实力和看点，可惜是网大，演技是不错的
剧情肯定不行，不过对网打要求也别太高。谢苗很不错啊，再磨炼五年找个好机会绝对翻红
没明白肖家这三个兄弟是怎么有勇气冲到一帮混黑白两道老板的饭局去的，也不明白这帮老板是怎么愿意咽下这口气的。还有留学回国这哥们儿，从出场开始就在立高智商犯罪人设了，可看上去实在太装x了，换我就第一个揍他。
能看出来，谢苗很努力的想演好，事实证明，演的也确实不错，除了有点耍帅，其他方面都合格。
真不是想吐槽网大电影，可是看一回失望一回。导演极力想要塑造一个东北县城黑社会三兄弟犯罪团伙，结果因为能力有限，搞成个四不像。老大像憨厚下岗工人、老二像个智障，老三最可笑，一个城乡结合部青年，非要装成面善心狠的留洋高知罪犯……难为谢苗的好身手了，红花没有绿叶配，一人主角确实累。最后普及一个常识，在地面格斗中，只有箍住喉结或两侧颈动脉对方才能昏迷。老大昏的不明不白，替他着急。
网剧里打斗的最流畅的～故事剧情啥的几天算了吧……
and谢苗演的真不错，看得时候不进问了一句，释小龙呢。
不过故事还是不太成立，纯看打戏也一般吧。
所以剧情是硬伤...
看着还是比较爽虽然是个线上电影但是质量还是特别不错的。主要是打戏特别爽还有就是谢苗以后多拍点这种类型的电影不要拍什么古装剧了真心不适合你。
网剧动作片里面已经算不错了，一开始ktv的打斗有点刻意夸张，其余动作戏基本拍出效果了，肖家三兄弟的动机还是有点低能，为反派而反派，感觉有点刻意模仿导火线里面的三兄弟呢
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