1. Boko Haram & Unnatural Selection: The Nigerian government is determined to drive militants from a terrorist group out of the country ; A new gene-editing method allow scientists to change the genetic traits of plants and animals.
2. Escape to Europe; Cycle of Terror: Following the refugee trail from the Syrian border to Europe; The global reaction to the terrorist attack in Paris impacts the fight against terrorism.
3. Right to Die: Exploring the moral, political and personal questions raised by euthanasia.
4. Beating Blindness & White Collar Weed: Doctors and researchers make incredible strides in the fight against blindness; Struggling small-scale marijuana farmers face corporate takeovers as the end of the pot-prohibition nears
5. Meathooked & End of Water: Examining the environmental harm of industrial meat operations; Assessing the depths of the world's water crisis.
6. Return to Yemen & Church and States: Examining the conflict in Yemen; Exploring the ongoing battle for LGBT equal rights in the United States.
7. Palestine Now and Viva Cuba Libre: Exploring the lives of young Palestinians today; Examining the political thawing of relationships between Cuba and the United States.
8. Afghan Women's Rights & Floating Armories: Violence and oppression are still a fact of life for women in Afghanistan; Private military contractors protect global commerce.
9. The Future of Energy: Examining the future of how to make and use energy and how to meet the growing demand as carbon emissions are cut.
10. Trump in Dubai & China in Africa: The plight of migrant workers in Dubai; Examining the increasingly prominent business relationship between China and Africa.
11. The Deal & City of Lost Children: Exploring the recent Iran deal from both sides; Tribes of homeless children live along the tracks in Kolkata, India.
12. The End of Polio and Collateral Damage: Health workers put their lives on the line in Pakistan to eradicate polio; Examining the devastating effects of unexploded ordnance in Myanmar and Laos.
13. State of Surveillance: Shane travels to Moscow to meet with Edward Snowden and discuss government surveillance programs.
14. Heroin Crisis & New Age of Nukes: The effects of America's Heroin epidemic and the next nuclear arms race.
15. Flint Water Crisis & Libya on the Brink: Examining the effects of the water crisis in Flint, Mich.; In Libya, rival militias fight to save the country.
16. Die Trying: Patients and top researchers across the U.S. discuss recent measures taken to tackle ALS; Exploring the regulatory hurdles faced by ALS patients and drugmakers.
17. Student Debt & Fecal Medicine: The correlation between student-loan borrowing and the soaring cost of college tuition; A medical revolution involves using stool from a healthy person to treat severe intestinal infections in others.
18. The New $pace Race & Closing Gitmo: NASA and a growing community of private companies decide to prepare for Mars exploration; Ex-detainees reveal what really happens behind the walls of the American prison at Guantanamo Bay, Cuba.
电影的名字就是观后感 一切都刚刚好，即使疼痛难免
王丹妮很像，但是像又怎么样，始终不是梅艳芳。我不理解为什么要找演员来演梅艳芳、张国荣，既然芳华绝代是公认的事实，又怎么可能有人可演。如果换成纪录片的形式，粉丝会感激不尽，但这种人物传记与电影里多个戏剧化处理真的让人感到非常不适。
其实一般话，甚至有点流水账，但是看到最后还是很感动，还是因为梅姐，还有那首《夕阳之歌》
没想到BIFF闭幕片比开幕片还烂，看完也确实蛮感动，但所有的感动都来自于梅艳芳本人，和这个烂片毫无关系，越是被梅艳芳本人打动，越对这个烂片子感到无语
刚开始的时候想骂不能拍拍不好不如不拍，但看完了却get到了那种明知道拍的太差但还是想再让大家再看看梅姐的委屈。五星全给梅姐，她是真的明星，也是真的感恩的人，谢谢她曾经来到过！
和《祝你好运里奥格兰德》前后看的，都很喜欢。似乎更喜欢这部，跟男主一起掉眼泪。很温暖。
故事剪裁、情节节奏和剪辑方式都有不小问题，前半程类似重要人物刷脸的短视频合集，人物塑造基本都是浮着的；最后半小时虽然好哭，但把梅姐最后一年留下的影像资料配上《女人花》《夕阳之歌》让我来剪也能有差不多效果。王丹妮的表演固然努力，但只有“斗士”一面的梅艳芳是足够传神的，其他时候执着于外表的“像”反而只会衬出加起来只有两三分钟的纪实影像里梅姐本人多有charisma。
确实丝滑，温情向，一个关于成长的故事，男主有点像DTT
ps许多大牌的加入让影片有点奇怪and哥哥的选角导演是怎么回事？
通过电影🎦了解了著名演员的身后故事，也是过去自己一直不曾知道的故事。当然告别演唱会已经是家喻户晓的最精彩的人生告别演出了！(记得🈶DVD影碟)
吃饭的时候断续看完的，结尾太墨迹了，确实像林克莱德，前面台词很精彩，导演兼主演有些才华，Joseph长得不像律师，像瑞典足球运动员或者帮派成员。
缺了很多（我印象中）梅姐的飒爽和英气，有点过于扭扭捏捏。泪点都来自真实人物本身。故事也过于流水账。
影片有缺点，但情怀绝对值得满分。最庆幸的是，有非常多90后00后的来看。
王丹妮和梅艳芳多少还有几分神似，刘俊谦和张国荣就实在相距甚远，从对两人关系的潦草刻画，也可窥见全片剧作的最大问题：想要事无巨细地呈现梅姑演艺生涯所有节点，事业上几乎是不费吹灰之力的顺遂，着力刻画的几段恋情又都没头没尾，花费两小时终究没能让人物有血有肉地立住。可是瘟疫再度肆虐的当下，回望愁云惨淡的2003年，听到告别演唱会最后一声“拜拜”，谁能不泪洒当场。一代巨星落幕，黄金时代也彻底过去，但唏嘘在电影之外，纪录片段也胜过场景还原。如果说《寒战》是香港电影的一次回光返照，那《梅艳芳》不免有寿终正寝之意。
再说回 现实。虽然尽可能地做了还原，还是有些重要的故事没能拍出来（比如赵），挺遗憾。（有意思的是，中间有段儿录像里一闪而过我好像看到了何韵诗 233）
编年体传记片，经典场面一一复刻，也插入了必要的纪录片段，不违和。演员神似，虽然比较大只，但更凸显女主角地位，也不是不可。张国荣的演员，一开始觉得不像，但越往后看越觉得动态像，很不错啦。从2003年张国荣去世那里开始哭哭哭。我觉得这个票房好的话，一定会接着拍Leslie的。看的粤语版，超让我意外惊喜的是还有狄龙一个镜头。女人如花花似梦，夕阳之歌，永远的Anita，芳华绝代！！
这赋予了偷懒的创作者以底气和纵容。
为什么不是关锦鹏来拍……这个导演拍得太新太商业了，而且哥哥的演员是什么鬼！为什么会那么猥琐！一点都没有哥哥的忧郁和温润如玉的气质，不说他是张国荣我真看不出来。。
ps 达妹的演技比我印象中的好多了，感觉语速和表情都自带slow motion效果，很撩，但是特别招同性记恨那种hhhhh
导演25岁还是大有可能的，尽管小清新和始终强调冷静有点出戏，不过小成本生活向的自编自导还是挺成功。
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