Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
戳爷颜值一星，马卡龙色调和画面一星，BGM一星，及格的同性恋题材作品。剧情勉勉强强，《请以你的名字呼唤我》给人印象太过深刻，这里的青春期荷尔蒙躁动还是稍有欠缺。权当HIV公益宣传片看了。
但是也充满了迷茫
戳爷好甜，表演好松弛，就是不知道他那么爱霉霉为啥会在片中黑她两次😂虚惊一场真的是人生幸事。等待的时光不要摆烂，要悄悄积蓄力量。
最后一点，想过度解读下：印度裔少年奔忙学业可以压制内心情愫，他未来会成为一名工程师；而美国“废柴少年”还在多愁善感，他未来会成为一名有朋友的人。他们都有美好的未来吧。
清水小gay片，看完了也没有很想谈恋爱，但是也许在别的阶段看会有想吧。
男的靠不住，最后还是姐妹可靠。三个月就像过了一个漫长的暑假，尝到了爱情的甜也体验了失去的痛苦，开放式结局挺好的。看完谁不说一句，他好可爱呢！
大圆满的结局 只有朋友才能永远在一起
（三星半）边缘人群“小熊软糖”和《爱你西蒙》一个路数，LGBT+、亚裔、印度裔、犹太人、一些些亚洲元素等等吧。一点点韦斯安德森，这种糖果色以及超市狂想让我想到去年《前途似锦的女孩》。不过我很喜欢双人单车的设定，等待真爱的后座，而有人坐在上面就像一个充满爱的拥抱。
也想起了过往的一段经历 不是三个月，而是一周
要多有安全感的时候才能做到结果不再重要 safe 🍿 sex
喜欢电影的色彩 作为粉丝还是觉得戳戳在这部电影里的表现时好时坏
在我朝仍然风声鹤唳的时候，大洋对岸的糖水同性青春片已经能够将类型元素结合得细致而又自然，既拍出了青春惯有的迷茫和美好，也拍出了同性群体的情感与负担。
I seem to be involved in another vortex.
也没有像想象的那么差
看个电影还能看见自己学校的客串 但是是好看的 一种让人觉得life isn't so bad 的film
life has to move on everyone has to move on
如果是想看谈恋爱啦或者看更深刻的东西
当印度小哥说他不认识大卫鲍伊，你就不应该再跟他处下去。剧情三星。
其实拍的整体还是不错的，就是有些点有点莫名其妙。
整体平平淡淡甚至有点无聊，铁T与mean gay，自觉被世界抛弃，不如抱团取暖，戳爷那张贱嘴，分分钟想进去把它撕烂。
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